
Color is light.
At the end of the 19th century, the conquest of color in photography resonated with the Impressionist and Neo-Impressionist movements. By creating a dialogue between heritage images and contemporary works, the exhibition invites visitors to discover how a technical invention resonates in current artistic creation.
Léon Gimpel, Sodium Hyposulfite, Polarized Light Micrograph, 1912 | © Coll. French Photographic Society | Mustapha Azeroual, Radiance #5, Iceland, 2016
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